Tasting Trumpets: Seeing Sounds

Tasting Trumpets: Seeing Sounds

 

BY AARUSHI AGNI

 

The other night after performing sketch comedy at the People’s Improv Theater in New York City, I spent half an hour in rapt conversation with my director’s friend.

We were hanging on each other's every word. 

No, we weren't falling in love. I was telling him about how, since childhood, I’ve known that each and every number and letter has a gender. 

Doesn’t everyone know that? 

I first read about synesthesia in Nickelodeon magazine when I was in grade school: a condition wherein one sense merges or crosses with another, occurring in 1 in 25 people. 

The article described people who could taste the sound of a trumpet or see color when they heard a word. It sounded so cool. I bet trumpets taste like Orange Crush, I thought to myself.

Maybe that should have been a clue. But I wasn’t paying enough attention to my brain then to see that my own multisensory experiences were out of the ordinary – because for me, they weren’t.

To me, letters and numbers have always had gender and personality traits. One is masculine, 2 is feminine, 3 is feminine but more brassy and sassy like Rosie O’Donnell, and 4 is like a little boy. Number 5 is kind of like Angelica from the Rugrats— you know, the bitchy three-year-old cousin of the heart-of-gold one-year-old main character Tommy Pickles? Number 6 is older but still afraid of 5. And 7 was lowkey kind of hot (masculine, aloof), and 9 (masculine, been around the block).

It wasn’t until much later (cue the movie montage of me growing up, prom, playing in a band, college graduation, public health job, quitting my public health job because it made me want to die, doing stand-up for the first time, getting diagnosed with ADHD before moving to New York for grad school, having a spiritual awakening involving mindfulness and meditation — inhale, exhale, 1, 2, 3, 4) that I actually believed it was possible I had synesthesia.   


So Many Different Synesthetes

Turns out you don’t have to taste a trumpet in order to be a “synesthete” (I like to think that’s like an athlete, but for senses). According to the MULTISENSE research project at the University of Sussex, there are upwards of 100 types of synesthesia.


There’s sequence-space synaesthesia, which involves seeing numbers, weekdays, or months separated spatially. I actually have this with days and months — I can see the time stretching forward, across the page in the book that is my life.  

“Oh my god,” my ADHD coach Jessica cooed, when I told her this. “Aarushi, you are so poetic.” 

When I posited that this form of synaesthesia might account for my time blindness, she laughed, shrugged, and said it was clear to her that I’m “such an artist.”

Another form is grapheme-color synesthesia, where one experiences words and numbers as having fixed color associations. According to career therapist Miriam Groom, people with this form of neurodivergence make excellent UX designers.

One such designer, Kelly T, sees A as red and B as orange. “I can clearly see that it is black. But then it’s almost like there’s a color that’s floating over the letter…. So with G, I’m shining a purple light and a brown light at the same time.”

Some people experience something called mirror-touch synesthesia, meaning they experience the sensation of touch when they see someone else being touched. That’s literally the plot of a sci-fi porn. 

Another form of synesthesia I experience is chromesthesia, in which color and visuals react to music. Namoi Roberts, founder of Flare Audio, shares about a sound engineer who sees music, stating …

Others experience audio-tactile synesthesia — they feel textures that correspond to certain sounds. People with lexical-gustatory synesthesia hear a name and associate it with a taste. 

I hope to God my name tastes good. 

The Stuff of Metaphor

In his seminal book The Tell-Tale Brain, neuroscience rock star Dr. V. S. Ramachandran proposes that the same neural mechanisms allowing for synesthesia might also underlie our ability to form metaphors. He argues that the brain’s tendency to link seemingly unrelated concepts to make metaphors is a fundamental part of human cognition. 

This ability to make and understand metaphor is associated with the fusiform gyrus (FG) in the brain, which is also linked to our ability to process color and recognize words, faces, and face-like images. Humans’ FG is larger than those of primates, indicating that humans’ ability to think abstractly is part of what some might consider our “advanced” intelligence.  

Dr. Ramachandran posits that folks with synesthesia have a gene that causes an erosion of wiring between segregated areas of sensory processing within the FG. This allows an even more intense ability to create and experience metaphor — and Ramachandran reasons that this is why there’s a much higher rate of synesthesia among artists. (You were right, Jessica! I am so poetic.)

I was elated to learn this. TBH I was never really convinced the number thing wasn’t just a quirky metaphor I had come up with as a child.

 

But learning the science-y name for my mind’s inner phenomena makes me make more sense. 

 

There’s also reason to believe that folks with both synesthesia and ADHD are more creative. Dr. Julia Simner, a lowkey famous professor of neuropsychology at the University of Sussex, notes that synesthetes who are children display unique levels of creativity. Synesthesia is about 8 times more common among artists than in the general population. 

Of course the kid whose letters and numbers had personalities would grow up to be a writer and entertainer. Those charismatic and sometimes-judgy numbers and letters were some of the first characters I brought to life. 



A Hot Collab

Musician Hunter Memphis experiences sound as visual shapes, known as audio-tactile synesthesia. When he changes the sound of the digital instrument on his Yamaha keyboard, Hunter feels a corresponding change in “texture” that sort of “sounds like” the texture.

For Hunter, a trumpet is “the equivalent of musical lemon zest,” and choir feels like “running your hand over layers of silk.” 

Synesthetes who experience visualization from music are even more likely to become artists — and this is particularly true among those who are sound-color synesthetes. I mean, Pharell Williams has synesthesia. 

Pharell told NPR that colors are part of the way he senses music, guiding him to feel whether something sounds “right” based on its alignment with the colors in his mind.

Charli XCX, a synesthete, told BBC News she loves music that looks black, pink, purple or red – but hates music that's green, yellow, or brown. "If I'm writing and I can't see what the video will look like in my head, I know the song isn't right for me,” Charli XCX said. 

Similarly, Franz Liszt famously beseeched his orchestra, “O please, gentlemen, a little bluer, if you please!”

Multisensory Living 

Let’s face it — synesthesia is a bit too rock’n’roll to be considered a “condition.” As Dr. Simner explains on her website, experts do not refer to synesthesia as a disease or an illness, nor do they wish to imply it needs a cure, but there just isn’t a better word to encapsulate how uncommon it is! 

But it’s not all sexy numbers and shiny sounds. Commonly reported side effects of synesthesia are sensory overload, distractibility, and taking a longer time to process stimulus. Folks report feeling misunderstood, isolated, or stigmatized.

As I’ve become more comfortable unmasking my ADHD, I’ve also found it easier to talk about my unique experiences with synesthesia, and it becomes a point of connection with others who experience it too. 

Some of the ways my brain works remain unexplainable, a mystery to me. Learning about synesthesia is helping me to embrace those aspects of my brain that I still don’t — and may never fully — understand. I think we can all stand to hold more space for the parts of ourselves we can’t define. 

When I take my weekly walk over the Williamsburg Bridge and listen to a playlist, I see images in my mind almost superimposed onto the sky.

When that happens, I slow down — sometimes by 20 or 30 minutes — just to process the images that flood in.

In those moments, I’m alive.

 


Bio:

Aarushi Agni (she/they) is a queer South Asian writer, poet, comedian, musician, artist, educator, activist, and person. Her writing has been featured in Apartment Therapy, Nerdist, McSweeney's Quarterly Concern, and Belladonna Comedy. Her solo show Emoji: The Hieroglyphs of Our Time or how I learned to stop worrying and send the risky text 🤷🏽‍♀️will make its New York Fringe debut in April 2025. You can find out more about her work at aarushiagni.com

 

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